When I see my friends and acquaintances, I fear that the question they really want to ask is “Did you get dressed in the dark?,” but because they are a polite bunch, they ask instead, “How is Buddy?” To answer you all, he is very well indeed, thank you. The cancer has not reappeared, and after a few grueling months of physiological and behavioral issues, a flip switched a few weeks ago, returning Buddy to himself. (Apparently dogs have no understanding of the concepts of “surgery,” “recuperation,” and “for your own good.”) To the delight of neighbors lining an increasingly short swath of my neighborhood, Buddy is again on his morning and evening strolls, and as they reach down to pet him and look at me to comment on his suddenly apparent age, Buddy leans into me, just like a little child.
If Buddy had understood what the veterinary oncologist was telling us a few months ago, he would have understood why he is now on a diet. His arthritis was terrible, getting off the floor had been a struggle, and losing weight was the continued key to his mobility. With all of his health problems, we switched him to a softer, highly enriched, super premium senior blend kibble whose price suggests that each individual nugget was lovingly hand-shaped by elves in Bavaria and whose recommended serving can best be described as stingy.
There have been times that I wished that Buddy could talk. This is not one of them, for I am certain that within 30 seconds of eating his kibble, it would begin. “I am hungry. I am really hungry. FOR THE LOVE OF DOG, DO NOT LET ME STARVE TO DEATH!” I have a feeling that this sentiment would be on an almost endless loop, likely but not necessarily pausing only when Buddy had food in his mouth. (The other day, I witnessed the human equivalent of this in a Chick-Fil-A, when a five year-old walked in, held a fist aloft, turned his eyes down, and hollered, “CHICKEN NUGGETS! CHICKEN NUGGETS! I LOVE CHICKEN NUGGETS!” in a slow and steady crescendo.)
But Buddy makes his commitment to food known in other ways. Last week, I ran in the house and ran out to art lessons, not thinking to remind Chris or our daughter to give Buddy his evening meal. When I came home, a 10 pound bag of bird seed inside next to the back door had been positively ravished, plastic bits of the bag thrown everywhere, and several pounds missing. I feared a sudden, apocalyptic rodent infestation, but I had my answer soon enough. On the next morning’s walk, I bent down to clean up after the dog, only to be confronted with a seeded concoction that looked and smelled like the worst bakery treat ever. This continued for two more days and three more pounds of bird seed.
Perhaps he is a bird dog.
Whatever he is, it is nice to have him back.
Buddy and I took a morning walk the other day, and I snapped this picture of him. As you will note, and contrary to how he would portray himself, he is not alarmingly skeletal. Some may wonder if he has lost any weight at all.
I took this picture not to commemorate the size of Buddy’s posterior, but because it reminded me of something that we had discussed in art class. After a dozen oil painting classes spent rendering several still lifes and one self-portrait, I switched to an abstract art course. In Friday’s class, the teacher took us on a walk and told us to look — really look. So I saw shadows and trees, reflections and ripples, pools of water and blue skies and clouds. I came back to the studio and using acrylic paint and paper for the first time, I painted this, which was something entirely different indeed:
I love to walk, and I try hard to notice things when I do. But one of the the things that the art teacher pointed out on our walk was something that I had never noticed before. Savannah is so flat, and so shaded by canopies of trees and streetlights, that walking down a typical street feels like looking into a tunnel.
You can see it in the picture with Buddy. Put the photograph at eye level and look not at the dog, but at the increasing smaller opening made by the trees as you look down the sidewalk. You can tell yourself, as I do, that you are walking into a cloistered space that barely contains the unknown and that offers a world of possibilities.
On the evening of that walk, I came home and rummaged through the refrigerator, looking for the slightly shriveled beet that I had just begun to paint. It was not on the shelf, and I looked to my left, only to find Chris putting it through a spiralizer. This would not happen to Van Gogh, I thought, and I wondered aloud whether the beet’s demise was a harbinger of a hipster easel-to-fork movement. But no, Chris explained, if the beet was to be consumed, it needed to be consumed that evening.
But what to do with the still life? I had a photograph of how it began, with my standing behind an easel, separated from my family, with the beet surgically under a spotlight on a drape:
Instead of setting up an easel, fooling with the lighting, trying to get the beet positioned just right, and mixing accurate colors to record just what I saw, I sat next to Chris on a pillow on the floor, occasionally consulted the photograph as a reference, and thought about how I would want to look if I were a beet. I would want to be pink, like a jewel, deeply faceted, and brightly colored, the most intriguing beet ever to burst from the earth and shake off the dust. I am halfway through the painting, and here is how I imagine that beet:
I have to say, it has been a rare and wonderful week, not to be so set in my ways about how I think about things. It never occurred to me that a dog would eat bird seed, but he will if he is hungry enough. I had never before envisioned a walk as a path, or a series of concrete visual images as a progression of swirls, or a root as a ruby. But they are. They can be. And if I had the utter lack of self-consciousness of that five year-old boy, no doubt I would walk into a crowded room, raise my own fist to the air, and yell in my own loud and lifting crescendo, “LIFE! LIFE! I LOVE LIFE!”
But I would scare the crap out of everyone. And they already think I’m a little crazy.
ALC